Limitations and liberations experienced through writing the ‘other’
Limitations and liberations experienced through writing the ‘other’ Over the duration of this semester I have felt a soft dynamic shift from oblivion, to understanding around how I write on behalf of another culture. Additionally, I am also learning that separate from my writing practice, the ‘other’ (in a cultural context) is designed by economic, political and social processes. Because the dialogue we shared in class was centered around cultural diversity, I believe this experience has given my writing a greater visibility with deeper substance. I have made clearer distinctions between the external world and my internal one, where I had to work inside the overlap of a ‘coming togetherness ’ that was actualized when the ‘other’ materialized before me, alongside a recent understanding of my position as a writer and as the ‘other’ in turn. The opposition of the ‘self’ and the ‘other’ highlights contemporary national identities as well as images too. I have explored, bo...